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"Franz West"

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Dawn Surf Jellybowl
© » KADIST

Jennifer West

Film & Video (Film & Video)

This work was filmed on the shores of Jelly Bowl beach in Carpinteria, California, after Jennifer West was taken by the sight of a coastal family home owned by surfer Andy Perry. After conversing with Perry, spending time in the site, and engaging with several other locals, West wanted to produce a film that documented this idyllic Californian lifestyle and that embodied the sense of joy, warmth and nostalgia that multiple generations of surfers and their families had shared in this site. In the footage we see a couple of silhouettes wrapped up in blankets as they watch their beloved ones surfing at dawn—including surfers Andy Perry, and siblings Makela, Alana and Zach Moore.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Hypertransform Sculpture
© » KADIST

Rudolf Polanszky

Sculpture (Sculpture)

Polanszky’s sculpture is made from raw, found materials that have the patina of age. He brings together disparate material discarded by society to form aggregates. Although it is not his intention to make works of meaning the viewer endows them with poetic meanings and constructs.

Samuel (Standing), Vaalkoppies (Beaufort West Rubbish Dump)
© » KADIST

Mikhael Subotzky

Photography (Photography)

At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West. The 1,200-mile highway joins the northern provinces of the country to the south cuts through. Beaufort West becomes the main strip of the township, whereby the thousands of commuters passing through are thus forced to witness the town’s squalid social and economic condition.

En rachâchant
© » KADIST

Jean-Marie Straub and Danièle Huillet

Film & Video (Film & Video)

En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know.

7″ Single 'Pop In'
© » KADIST

Martin Kippenberger

Drawing & Print (Drawing & Print)

7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve. In the foreground of the album’s cover, a drawing of an empty, round vessel is framed underneath the text “POP IN”, suggesting an invitation to listen to the record, a nod to pop music, or perhaps a literal proposal to enter the vessel or the work. In the background, partly hidden by the round form, Kippenberger’s hand-drawn self portrait glares back at the viewer.

Untitled
© » KADIST

Martin Kippenberger

Installation (Installation)

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings. Untitled is a collage on paper work by Kippenberger that typifies his everything-goes approach: a barely discernible, sliced image of Michael Jackson’s face is overlaid and woven with strips and triangular shapes from a different source into a single composition. Blue tones come from torn out pages of a book where fragments of illustrations can be seen.

Untitled
© » KADIST

Martin Kippenberger

Drawing & Print (Drawing & Print)

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany. Text cut out from a Newspaper spells out in German “Egg hunting in the Bavarian forest” and an additional piece of text reads in all capitals “BIN DABEI DU AUCH” (“I’m here too” in English). Together, all the messages and geographies from the separate elements suggest an alternative, highly stylized portrait of the artist; in this case, a fragmented, fluid, and itinerant sense of identity.

Frontier-Linear
© » KADIST

Doug Aitken

Film & Video (Film & Video)

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater.

Horseback
© » KADIST

Sam Contis

Photography (Photography)

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Horseback is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Horseback is a black and white photograph that depicts the arched shoulders of a horse, its slick mane splayed across its neck.

Oil
© » KADIST

Sam Contis

Photography (Photography)

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.

Half Dome Hough Transform
© » KADIST

Trevor Paglen

Photography (Photography)

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision. This photograph was taken at Half Dome, a frequently visited granite rock formation in Yosemite National Park, California. For this work, Paglen created a digital file of the 8 x 10 inch photographic negative so that the artificial intelligence program can apply computer vision to evaluate the content of the image.

Memory Mistake of the Eldridge Cleaver Pants
© » KADIST

Paul McCarthy

Sculpture (Sculpture)

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

Photography (Photography)

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works. Here, McCarthy squirts liquid out of a bottle held near his crotch onto a stuffed animal in the shape of a lion. The costuming, materials, and simulated bodily functions frequently appear in McCarthy’s work, which often disturbingly juxtaposes visceral and startling manipulation of the body with the cheerful artifacts of popular consumer culture.

Horizontal Striation Scrap Lamp and Vertical Striation Scrap Lamp
© » KADIST

Jason Meadows

Sculpture (Sculpture)

The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture. In fact, one could go as far as to say that these pieces connect with different lines running through the 101 collection: they combine both the appropriation of found materials that responds to a very common practice in certain forms of West Coast avant-garde with an interest in the intersection of art and design (something that is present to a certain extent in more slick, design-oriented pieces such as Chadwick Rantanen’s Telescopic Poles for example).

Last Postcards
© » KADIST

Elisheva Biernoff

Drawing & Print (Drawing & Print)

Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness. Biernoff’s choice of Everett Ruess, Percy Fawcett, and the conceptual artist Bas Jan Ader is particularly telling. On one level, the Last Postcards analogize the nineteenth-century explorer with the contemporary artist who looks for purpose in their work.

Bread and Roses
© » KADIST

Hank Willis Thomas

Painting (Painting)

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.

Lift with care
© » KADIST

Hu Yun

Installation (Installation)

This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.

Untitled (Checkers)
© » KADIST

Gregory Halpern

NFT (NFT)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.

Untitled (Chairs and View)
© » KADIST

Gregory Halpern

NFT (NFT)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.

Untitled (Burned Tree)
© » KADIST

Gregory Halpern

NFT (NFT)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.

Untitled (Pulling Cart)
© » KADIST

Gregory Halpern

NFT (NFT)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.

Untitled (Warner Bros)
© » KADIST

Gregory Halpern

NFT (NFT)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.

Wheat Mollah
© » KADIST

Slavs and Tatars

Sculpture (Sculpture)

Wheat Mollah ( 2011) is one of Slavs and Tatars composite object. The title Wheat Mollah has various interpretations, from “master” or spiritual authority for Shiites and “friend” for Sunnis. The turban is also worn in a diversity of cultures and religions in Africa, Asia and India.

Untitled (San Francisco)
© » KADIST

Edward Kienholz

Installation (Installation)

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.

As Bird’s Flying
© » KADIST

Heba Amin

Film & Video (Film & Video)

Heba Y. Amin’s 2016 film As Birds Flying uses found footage from drones in an allegorical response to a 2013 news story of a migratory bird with an electronic device attached to its ankle who was detained by the Egyptian authorities, suspected of espionage. For the artist, the story represents the paranoia and suspicion endemic to a context of global surveillance. Filmed from a bird’s-eye perspective, or a spy’s perspective, the images span the savannas and wetlands of Galilea.

Mickey Mouse
© » KADIST

Paul McCarthy

Drawing & Print (Drawing & Print)

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.

Les allégories
© » KADIST

Chloé Quenum

Sculpture (Sculpture)

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.

These Days
© » KADIST

David Maljkovic

Film & Video (Film & Video)

This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito. Tito created the fair to signify the exemplary economic exchange between the East and West. The film’s setting takes place at the Italian pavilion, where several young people are seen sitting in cars, trying to repeat sentences in English.

Gregory Halpern

Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...

Kelly Sinnapah Mary

Kelly Sinnapah Mary is a multidisciplinary artist who’s work is informed by the diasporic journey of her ancestors...

Paul McCarthy

Martin Kippenberger

Julian Abraham

Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...

Javier Castro

Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...

Mikhael Subotzky

Mikhael Subotzky’s (b...

Trevor Paglen

Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...

Larry Bell

Richard T. Walker

Julien Creuzet

The work of Julien Creuzet reveals painful stories – both personal and political – making it impossible separate one from the other...

Jane Jin Kaisen and Guston Sondin-Kung

Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...

Elisheva Biernoff

Otobong Nkanga

Visual artist and performer, Otobong Nkanga’s (b...

Patty Chang

Alex Lukas

Alex Lukas’s practice is much akin to that of the researcher, historian or collector of folklore, exploring exceptional sites in the American landscape...

Chanell Stone

Chanell Stone’s practice explores what she describes as the “re-naturing” of the Black body to the American landscape—an act that aims to complicate and sublimate the history of American slavery into a reimagined relationship between African Americans and the earth...

Katinka Bock

The city, the landscape and the exhibition space are Katinka Bock’s favored playgrounds...

Heba Amin

Heba Amin is a multimedia artist who works with political themes and archival history, using film, photography, archival material, lecture performance and installation...

Vivek Vilasini

Born 1964 in Trishur, Kerala, India Lives and works in Bangalore, India First trained as a Marine radio officer at the All India Marine College in Kochi, Vivek Vilasini obtained a Bachelor’s degree in Political Science from Kerala University in 1987 before turning to art and studying traditional Indian craftspeople’s sculpture...

Hu Yun

Yto Barrada

Angela Su

Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...

Goddy Leye

Born in 1965 in Mbouda (Cameroun), Goddy Leye was an artist, a teacher, a cultural activist and a curator based in Douala (Cameroun)...

Shahzia Sikander

Troy Chew

Spanning painting, drawing, and sculpture, Troy Chew’s practice reflects on the legacy of the African diaspora through the lens of urban culture...

Karthik Pandian

Los Angeles-born artist Karthik Pandian’s work explores our relationship to historical consciousness and the various ways in which we perceive and perform the past...

Alexandre da Cunha

Edward Kienholz

© » ANOTHER

this quarter (02/12/2024)

The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...

© » TATE EXHIBITIONS

this quarter (02/12/2024)

Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...

© » THE GUARDIAN

this quarter (02/11/2024)

When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...

© » THEARTNEWSPER

this quarter (02/09/2024)

Is censorship on the rise in the West? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Is censorship on the rise in the West? Plus, Frank Auerbach at the Courtauld and an Indian painting from Howard Hodgkin’s collection Hosted by Ben Luke ....

© » AESTHETICA

this quarter (02/09/2024)

Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...

© » THEARTNEWSPER

this quarter (02/06/2024)

Ai Weiwei criticises ‘fragile’ state of Western democracy following Sky News interview Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artists news Ai Weiwei criticises ‘fragile’ state of Western democracy following Sky News interview The dissident artist argues that restrictions manifest more subtly in Europe and the US Gareth Harris 6 February 2024 Share Ai tells The Art Newspaper that the idea that "the West embodied greater freedom of speech and press" is an illusion Courtesy skynews.com The Chinese artist and activist Ai Weiwei has gone into more detail about his views on censorship in the West after telling Sky News in an interview at the weekend that “in universities, in the media, political sector, everywhere—you cannot talk about the truth”...

© » SOUTH CHINA MORNING POST

this quarter (02/03/2024)

After one of China’s most famous 20th-century artists left his homeland, his life was a mystery...

© » SOUTH CHINA MORNING POST

about 3 months ago (01/29/2024)

In Schubert recital series in Hong Kong, pianist Paul Lewis brings out the complex layering of composer’s musical ideas | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Pianist Paul Lewis performs during the fourth and final part of the “Schubert’s 12 Piano Sonatas with Paul Lewis” concert series at the Grand Hall, Lee Shau Kee Lecture Centre, University of Hong Kong on January 28, 2024...

© » ARTSY

about 3 months ago (01/29/2024)

Perrotin announces new Los Angeles space...

© » ARTLYST

about 4 months ago (12/20/2023)

The longstanding legal saga surrounding the estate of renowned Austrian sculptor Franz West has been resolved after years of contestment...

© » THEARTNEWSPER

about 4 months ago (12/18/2023)

Supreme court ruling concludes lengthy battle over Franz West estate Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist estates news Supreme court ruling concludes lengthy battle over Franz West estate The Austrian sculptor's art will go to his private foundation, represented by Gagosian, overturning previous decision granting ownership to West's widow and children Anny Shaw 18 December 2023 Share Franz West in his studio, 2009 © roessle A long-running inheritance row over the estate of Franz West, reportedly worth more than $50m, has finally been resolved after the Austrian supreme court last month concluded that all of the Austrian sculptor’s art should be donated to the Franz West Private Foundation, which is represented by Gagosian...

© » AESTHETICA

about 4 months ago (12/18/2023)

Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...

© » MUTUALART

about 4 months ago (12/12/2023)

The Los Angeles-based artists paints dark scenes of a society destined for doom, all the while selling his art to the subjects of his creations....

© » ARTFORUM

about 4 months ago (12/12/2023)

Kevin Tervala Named Chief Curator at BMA – Artforum Read Next: THE WHITNEY’S JANE PANETTA DECAMPS FOR THE MET Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

© » TWOCOATSOFPAINT

about 5 months ago (11/30/2023)

NYC Selected Gallery Guide: Dec 2023 – Two Coats of Paint Bortolami: Jutta Koethe in “ Good Luck Spot ” Hey galleries and artists! If you have enjoyed being included in our NYC Selected Gallery Guide and find it a helpful way to get the word out to promote your exhibitions, please consider making a tax deductible contribution to Two Coats of Paint ...

© » TWOCOATSOFPAINT

about 5 months ago (11/29/2023)

Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...

© » LONDONIST

about 6 months ago (11/02/2023)

Accidentally Wes Anderson Exhibition | Londonist An 'Accidentally Wes Anderson' Exhibition Is Coming To West London By Will Noble Will Noble An 'Accidentally Wes Anderson' Exhibition Is Coming To West London Image by @matthijsvmierlo - not Wes Anderson...

© » TRIBLIVE

about 6 months ago (10/20/2023)

300-year-old painting stolen by American soldier during World War II returned to German museum | TribLIVE.com Art & Museums 300-year-old painting stolen by American soldier during World War II returned to German museum Associated Press Friday, Oct...

© » ARTOBSERVED

about 6 months ago (10/19/2023)

Henry Taylor, I Got Brothers All Ova The World But They Forget We’re Related (2023), via Hauser & Wirth Marking its inaugural outing at its new Paris exhibition space, Hauser & Wirth looks west to the work of critically acclaimed Los Angeles artist Henry Taylor, whose major career survey arrives at the Whitney Museum of American […]...

© » ART & OBJECT

about 7 months ago (10/05/2023)

Museum Worker Replaced Works With Forgeries | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » SLASH PARIS

about 7 months ago (09/26/2023)

Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Kyiv Biennial 2023 — La Biennale de Kyiv Exposition Techniques mixtes Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Encore 18 jours : 5 octobre → 29 décembre 2023 La cinquième édition de la Biennale de Kyiv sera internationale et se tiendra à Kyiv, Ivano-Frankivsk, Uzhhorod, Vienne, Varsovie et Berlin...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Collector Qiao Zhibing's Tank Shanghai Museum Opens on West Bund Waterfront - via The Art Newspaper...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Inspired by her native Sierra Leone, this designer’s Victorian home is full of vibrant fabrics and West African touches...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Prague’s First Private Museum Is Haunted by the Specter of Communism - via Hyperallergic...

Ed Ruscha
© » LARRY'S LIST

about 19 months ago (10/05/2022)

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

© » HIGH FRUCTOSE

about 53 months ago (12/11/2019)

The paintings of Jean Paul Langlois blend memories of 1970s sci-fi and Westerns of his youth, while also exploring the artist’s connection to his own native and non-native roots...

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about 61 months ago (04/08/2019)

Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Liu Chen-hsiang April 8, 2019 By Stephanie Burridge (800 words, four-minute read) Sustainability, remaining fresh and engaging is challenging in the present day, content-saturated global world...

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Asian Restored Classics 2018: Revisiting the Past In New Light | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Made in Hong Kong (1997, dir...

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about 123 months ago (03/03/2014)

Invisible Ink – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All March 3, 2014 2:10am View Gallery 6 Images “ Ink Art: Past as Present in Contemporary China ,” now at New York’s Metropolitan Museum of Art , seems at first to be a long-awaited corrective to Western myopia in regard to Chinese ink painting and calligraphy...

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